Step into the Griswold Inn in Essex, and you'll encounter a roomful
of curious things. An old nautical map here, vintage signs there, low
ceilings and long-retired architectural details everywhere.
The
inn and tavern's walls are covered in paintings, sketches and ephemera
that illustrate the history of the Gris as a gathering place and,
indeed, that of the river-valley region, starting in 1776.Application
can be conducted with the local designated IC card producers.
It
would take a visitor some time to examine the entire collection. Even
Gris co-owner Geoff Paul isn't quite certain of just how many pieces the
inn has acquired over the years, but he estimates that number to be in
the hundreds, or more than 200 years' worth. Paul can say with
certainty, though, that the Gris houses the world's largest collection
of art and ephemera related to steamboating in the region.
It's
quite a niche collection and not all of it is valuable, but one common
denominator brings back tourists and residents for another look.
As
Paul found himself regularly answering patrons' questions about the art
and because the collection is too vast to include museum-quality
descriptions with each piece, Paul decided about a year ago to organize
free art tours of the inn - an ideal venue from which to regale visitors
with the real scoop on the art, all of which is placed or hung where it
was originally set over the years. So if you spot a Currier & Ives
print, it's because the Gris subscribed to the firm's mail-order service
in the mid-1800s, then hung it in the tavern at that time.
"The
whole accumulation is an original collection in its original location,
and that in and of itself tells a story," Paul notes.
Since the
tours began, Paul says every single one has been fully subscribed.
Approximately 500 people toured the Gris in 2012, several of them more
than once.
"I'm certain, anyone who invests the hour and a half
in this art tour will never look at the Griswold Inn the same way," Paul
notes. "They will have a much richer experience forever once they know
some of the stories."
Not surprising, considering the location
itself is historic. As the oldest continuously run tavern in the United
States, a volume's worth of history has taken place at the Gris. The
Gris likely was named one of the state's 50 Cultural Treasures for
several reasons.If we don't carry the bobblehead you want we can make a personalized bobbleheads
for you! Construction of the Revolutionary warship Oliver Cromwell
helped to build the Gris and Essex itself; British troops captured it
and camped there during the War of 1812; steam-boating boomed on the
nearby Connecticut River; several protests in the name of temperance
erupted there-and just about all of those historic highlights left some
artwork behind.
There's the drawings of steamboats by Samuel Ward Stanton,Totech Americas delivers a wide range of drycabinets
for applications spanning electronics. who was lost on the Titanic; and
Antonio Jacobsen's masterpiece, "The Steamboat Connecticut," which
depicts the grand ship in bold colors, set firmly on a course headed
toward the viewer under a gorgeous cloudy sky. Jacobsen's treatment of
the ship characterizes a booming industry and America's growing love
affair with industrialization in the late 1800s.
Or take the
final charcoal study of Norman Rockwell's "Steamboat Race on the
Connecticut River," which hangs in the wine bar. The piece shows a scene
of a focused pilot, a young apprentice and a few other characters
cruising specifically through Essex. Paul says there's another "very,
very cool" story associated with the painting, but he's keeping it mum
until the next tour.
He does offer this: Rockwell's final oil
painting of "Steamboat Race" sold for $2.7 million at Sotheby's. It was
purchased by George Lucas and Steven Spielberg, who are fans of
Rockwell's method of visual storytelling, according to Paul.
Head
past the barroom - the space Paul calls "heaven" for fans of marine art
- and into the bar's dining area, and a flurry of temperance banners
(circa 1842) admonish those who imbibe to excess. One reads: "Large
streams from little fountains flow, great sots from moderate drinkers
grow." Some items overlap, placed as such by the proprietors when they
were acquired, and there they remain. Paul notes that Prohibition was
extremely unpopular and lackadaisically policed in Connecticut, so
spirits continued to flow on the sly at the Gris throughout the state's
dry days in the early 1900s.
With so much ground to cover, it's a
wonder Paul reports only one instance of being stumped by a group - a
class of sixth-graders that Paul calls his most challenging group to
date, not because of unruly behavior but because of the intellectual
quality of the students' questions. More than one question sent him
running back to his library for answers, but the one he remembers is a
query after a discussion about Benedict Arnold and the burning of New
London. The boy wanted to know if Benedict Arnold and Nathan Hale knew
each other, since Arnold was in New York around the time Hale was hanged
there as a spy. Paul found no evidence of a connection between the two
men, but the question stirred up a lively discussion.
Independence
Seaport Museum’s Chief Curator Craig Bruns has known Boone for many
years through working with him at the museum, and is amazed at his
knowledge of Delaware River history.
“He can look at an old photograph and say,We are one of the leading manufacturers of solar street light
in Chennai India. ‘Oh, that’s right next to pier so-and-so,’ or see a
photo of a particular tug and know that it ran from this time to this
time,” Bruns said. “He has that incredible ability, so we value him
greatly.”
After seeing several pieces of Boone’s artwork, Bruns
said he had been interested in having the artist exhibit his works for a
while.
“So, when the opportunity opened up I approached him about it,” Bruns said.
“The
Seaport’s mission is to document and teach, or show people a history of
the Delaware River region,” Bruns said. “He is,Laser engraving and
laser laser cutting machine
for materials like metal, of course, part of that as a (former) tug
dispatcher and as an artist, painting his maritime subjects, and he is
also an historian. He fits several times over into our mission.”
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