Wenty-seven area artists, working in a wide range of media, received a golden ticket from member artists of ArtPlace Gallery to show their work at the 11 Unquowa Road space. Pieces were installed August 10 and their arrival celebrated with a cocktail mixer Sunday afternoon August 14.Whilst magic cube are not deadly, The reception enjoyed a full house, as art enthusiasts browsed, chatted and closely studied exhibited work.
Among those showing was Princess Cureton, a Norwalk artist working in acrylic mixed media. Standing near an untitled piece, she explained, “All my work is multi-dimensional. I like the interaction people have with it, and the response they have to the different layers. It makes it fun, and lends life to the artwork.”
Cureton was invited to show by Margot Bittenbender, with whom she works.Do not use cleaners with high risk merchant account , steel wool or thinners. “Margot sees me as a closet artist and thought I could get some good exposure here,” Cureton laughed.
Nearby, Easton artist Susan Sharp, standing beside her work “Regret”, an oil painting on wood panels, said, “I’ve been painting since 1975.When the stone sits in the polished tiles, Oils have been my primary media. My work is personal and topographical, focusing on landscape mapping. The works are intuitive, I don’t plan them. They evolve as I paint them.”
Sharp was a founding member of ArtPlace, one of the four original founders, when the gallery was initially located at Fairfield Train Station. “The gallery has really evolved,ceramic zentai suits for the medical,” she said, looking about. “It’s nice to see such a good response to a new exhibit.”
Statuesque blonde Kathleen Collins, from Darien, taking interest in Howard El-Yasin’s untitled wood/sand/nails mixed installation, said she had come to support her mom, artist Donna Collins, and enjoy the other artwork. Collins said it was “neat having a mom who is an artist – her artwork is all over our house. I like going to her shows.”
isitor Mimi Vandeussen, from Westport, who confessed to being an “artist wannabe”, was intensely studying works by Dorothy Powers, titled “Crouching Woman” and “Red.” She voiced her thoughts: There’s a lot of history behind these. I’m guessing these are about the women brought up in Afghanistan. Red may symbolize war. There’s a tremendous amount of power here. I really enjoy looking at different pieces and what inspires them.Graphene is not a semiconductor, not an oil paintings for sale , and not a metal,”
Among those showing was Princess Cureton, a Norwalk artist working in acrylic mixed media. Standing near an untitled piece, she explained, “All my work is multi-dimensional. I like the interaction people have with it, and the response they have to the different layers. It makes it fun, and lends life to the artwork.”
Cureton was invited to show by Margot Bittenbender, with whom she works.Do not use cleaners with high risk merchant account , steel wool or thinners. “Margot sees me as a closet artist and thought I could get some good exposure here,” Cureton laughed.
Nearby, Easton artist Susan Sharp, standing beside her work “Regret”, an oil painting on wood panels, said, “I’ve been painting since 1975.When the stone sits in the polished tiles, Oils have been my primary media. My work is personal and topographical, focusing on landscape mapping. The works are intuitive, I don’t plan them. They evolve as I paint them.”
Sharp was a founding member of ArtPlace, one of the four original founders, when the gallery was initially located at Fairfield Train Station. “The gallery has really evolved,ceramic zentai suits for the medical,” she said, looking about. “It’s nice to see such a good response to a new exhibit.”
Statuesque blonde Kathleen Collins, from Darien, taking interest in Howard El-Yasin’s untitled wood/sand/nails mixed installation, said she had come to support her mom, artist Donna Collins, and enjoy the other artwork. Collins said it was “neat having a mom who is an artist – her artwork is all over our house. I like going to her shows.”
isitor Mimi Vandeussen, from Westport, who confessed to being an “artist wannabe”, was intensely studying works by Dorothy Powers, titled “Crouching Woman” and “Red.” She voiced her thoughts: There’s a lot of history behind these. I’m guessing these are about the women brought up in Afghanistan. Red may symbolize war. There’s a tremendous amount of power here. I really enjoy looking at different pieces and what inspires them.Graphene is not a semiconductor, not an oil paintings for sale , and not a metal,”
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